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Susan Grossey

~ Author of books on financial crime and money laundering

Susan Grossey

Tag Archives: Guardian

Project Bleurgh

08 Monday Mar 2021

Posted by Susan Grossey author in Uncategorized

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Alison Flood, author, blogging, David Gaughran, Guardian, Marian Keyes, Plank 7, plotting, writer's block, writing

To add to my seemingly endless list of things about which I should feel guilty, I have added “not writing regularly enough on my writing blog”.  I started it with one aim in mind: to describe the ups and downs of the processes of writing and self-publishing.  But since, well, you know what I’m talking about, things have ground almost to a halt.  I have good days – that weekend immersed in old newspapers was a corker – but the default setting seems to be “meh”.  I’ve been kicking myself about it, as the set-up is theoretically brilliant.  I can’t go anywhere or meet anyone (and have no children to home-school) so I have long stretches of time that I could fill with writing.  But I just can’t get myself going.  And – thankfully – it seems that I am not alone.

In her most recent newsletter to readers – which you can subscribe to here – the fabulous and perennially bouncy author Marian Keyes admitted to her own low mood: “And it’s been interesting (one way of looking at it 😉) how I (and I think lots of others) are coping: I’m no longer angry or hopeful or anything really, instead I seem to have managed to muffle most of my emotions and have selected a state of joyless low-level-depressed endurance as my default setting.”

I am a great fan of David Gaughran, who produces marvellous tutorials on self-publishing, and he too has been hit by the bleurghs: “More serious, is that I’ve been unable to read a novel for around a year.  I just can’t focus on it.  I can gobble up non-fiction, dry marketing posts, technical guides – it’s really bizarre.  But give me a good novel and I’ll struggle…. Definitely more concerning again is the effect this has had on my fiction writing.  I’m sure these two things are linked, but I’ve really been finding it difficult to make any progress on a number of overdue fiction projects.  The words are less of a flowing river and more of a dripping faucet.  They are coming… but… in… the… most… annoying… manner… possible.”

And perhaps the best description I have read of the whole sorry situation, which stifles creativity and makes us feel even more guilty about wasting time, was this piece by Alison Flood in the Guardian, called – perfectly – “Writer’s blockdown”.  In it, she pinpoints the heart of the problem: to write, particularly fiction, we need both internal mental space and external stimulation.  My mind buzzes with anxiety, like low-level tinnitus – it fills up every space, unless I distract myself with utterly mindless telly (I’m re-watching my “Dallas” DVDs – that’s how mindless I need to be).  And as for the external stimulation, well, what can I say?  I’ve been nowhere and seen no-one.  (Each day my biggest decision is: shall I do the boring walk or the tedious walk or the familiar walk or the quick walk?)  I meet no-one new and see nothing new – so external stimulation is a goner.

Dismal though that all is, I do take comfort from knowing that I am not alone and that many other writers are battling the same inertia.  But the schools have gone back today (I’m in the UK) and my husband is getting his jab next week (I’m a couple of years younger so won’t be far behind) and the daffodils are out, so I feel the stirrings of optimism.  And once I can move more freely and think about something other than a virus, “Plank 7” will be back on track.

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Out of time and patience

28 Tuesday Feb 2017

Posted by Susan Grossey author in Uncategorized

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Alderney Literary Festival, anachronism, dialogue, Guardian, review

Regular readers may remember that last year I was lucky enough to be invited to speak at the Alderney Literary Festival.  The lovely people who run that event have kept in touch, and today they have put a little piece by me on their blog.  It is about accuracy in historical fiction, which is something of a bugbear of mine.  And this demand for accuracy includes dialogue, of course.

My husband is away at the moment, which gives me the opportunity to go to the cinema and see whatever I want.  It’s not that we differ wildly in our tastes – the last film we saw together was “Fences” – but I have rather more tolerance for costume drama than he does, and his appetite for “bang crash” action is far greater than mine.  So when I saw that Hugh Bonneville’s latest outing “Viceroy’s House” was coming this weekend (lots of costumes, very little banging or crashing), I gave a literal little squeal of joy.  And then I read a review and watched the trailer…

The review is in the Guardian, with whose star ratings I often agree, and they call it “soapy”.  Now, soapy I can tolerate, but reading in the very first sentence that Lady Mountbatten says, “Our time frame for leaving won’t work!” – well, that goes beyond the pale.  “Time frame”?  In 1947?  I think not…  According to the Online Etymology Dictionary, which I consult regularly, that phrase came in by 1964, which sounds about right.  But perhaps one clunker can be overlooked, and so I played the film’s “official trailer”, linked to in the review.  And in that we have Lady M – a serial offender, it seems – saying to her husband, “We’re giving a nation back to its people; how bad can it be?”.  “How bad can it be?”  In 1947?  Very bad, it seems.  And so I won’t be watching Hugh this weekend; if the writers cannot even hear the thud of linguistic anachronisms landing around them, how can I possibly trust their account of historical events?

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