I have a dream

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audiobook, BBC, Claudie Blakley, Fatal Forgery, library, Martha Plank, PLR, review, sales, Samuel Plank, The Selfies

At the weekend, for reasons too complicated to explain, I spent a couple of hours thinking about my dreams – not the sort where your teeth are falling out while you’re being chased by your O-level maths teacher for your overdue homework, but the sort where you imagine and plan for the future (as in “hopes and dreams”).  The brief was to dream big – to write down anything, regardless of likelihood or practicality.  Of course several of my dreams related to the Sam books and I thought I would share those with you:

• To publish two more Sam Plank books, taking the series to seven
• To hear one of the Sam books read aloud on Radio 4 as their “Book of the Week”
• To win “The Selfies” in April 2019
• To see “Fatal Forgery” on sale in Tesco and Waitrose [one for the numbers, the other for the snobbery…]
• To open a national newspaper and see one of the Sam books unexpectedly and favourably reviewed
• To have the Sam series recommended by Mariella Frostrup
• To see the Sam series turned into a Sunday evening costume drama on the BBC, with Claudie Blakley playing Martha – Sam is still to be cast.

Here’s Claudie in “Lark Rise to Candleford” – and maybe moody Brendan Coyle would work as Sam…

What surprised me when I went back over my Sam dreams was that none of them mentions money.  Sure, winning an award or getting a review heard/read by thousands would increase sales, but what seems to matter to me is a wide readership rather than earning a fortune.  I do appreciate that I am in the lucky position of having a day job quite apart from my Sam writing, which means that I do not have to rely – thank goodness! – on Sam income, but still, it’s shown me that I am motivated by getting people to read Sam rather than by getting them to buy books.  I’ve blogged before about my unhappy experience with libraries and the PLR system, but despite this I would be just as happy to see more people borrowing the Sam books as I would to see sales increasing.  (I just love checking our local library catalogue and seeing all the Sam books out on loan.)  So that’s the dreaming done – now on with the reality of writing.

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Ups and downs

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ALLi, Alliance of Independent Authors, bookshop, Hart's Books, library, Plank 6, research, word count, writing

I’ve snaffled myself a writing afternoon in the middle of the working week – don’t tell my clients – and have enjoyed the crazy research threads that you follow when starting out on a new plot.  Among my search terms today: apothecary, infarction, st martin’s lane, acne and butler’s pantry.  Allowing for trips down numerous research rabbit-holes, I am reasonably pleased with just under 890 words written in (what is currently) chapter three of “Plank 6”.

And as if to reward me, an interview I did with the Alliance of Independent Authors – which I joined last month – has appeared on their blog.  I can’t imagine there’s anything you don’t already know about why I love financial crime, but just in case – here’s where you can read it all again.

In other news, I hear from Hart’s Books in Saffron Walden that five tickets have been sold so far for my talk there next Wednesday.  It sounds like it’s going to be an intimate little session but they are often the most fun.  And once you’ve done a talk to three people in a tiny local library, five in a bookshop sounds like riches indeed!

Starving in a garret

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ALCS, author, Authors' Licensing and Collecting Society, earnings, library, money, writing

I am a – very proud – member of the Authors’ Licensing and Collecting Society, which was set up in 1977 to collect and distribute to authors the money they are due from “secondary uses” of their work (such as when schools photocopy books, or libraries lend books).  Apart from this sterling work, the ALCS also works as a campaigning organisation to promote the right of authors to be treated – and paid – as professionals.  And they have recently published the findings of their survey “Authors’ Earnings 2018: A survey of UK writers”.  Although I am only a part-time writer I submitted my information – and awaited the results with trepidation (as, of course, I hope one day to become a full-time author).  This may be an unrealistic dream…

Some highlights – or rather, lowlights:

• the median annual income of a professional writer in the UK is now less than £10,500 [in 2017, the Joseph Rowntree Foundation declared that the income level considered to be a socially acceptable standard of living for a single person, was £17,900]
• based on a standard 35-hour week, this works out at £5.73 per hour [the current UK minimum wage for those over 25 is £7.83]
• if you take into account all writers – part-time and occasional as well as professional – the median annual income is a measly £3,000
• in 2005, 40% of professional writers earned their income solely from writing – in 2017, it was just 13.7% [as earnings from writing fall, professional writers need to supplement their income with other activities such as teaching, editing, etc.]
• but the creative industries in the UK are now valued at £92 billion and are growing at twice the rate of the UK economy as a whole – which suggests that the contribution of writers is being significantly undervalued.

Rather depressing, isn’t it?  I’m very lucky in that I can afford to do my writing as a rather expensive and time-consuming hobby, but can you imagine a society where no-one can afford to be a writer?  So come on: buy those books, go to those readings, write those reviews – and hug an author!

The book-buyer’s marketplace

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book group, bookshop, e-book, library, marketing, paperback, pricing, sales, Samuel Plank, self-publishing, selling

Whenever I give talks about writing – and I’ve spoken in libraries and bookshops, and to book groups, WI meetings and the Rotary Club – people are always fascinated to know about the economics of self-publishing.  Telling them how much it costs to self-publish – nothing! – always surprises them.  (Of course writing a book costs a great deal in time, and you might well choose to spend money on professional editing services, or a cover designer, or a pretty template for the layout of the interior, but you can actually upload a book to a self-publishing service for no payment at all.)  But what really surprises them is how little of the purchase price eventually makes its way back to the author.

If I sell a paperback via Amazon – cover prices are £7.99 and £8.99 for the Sam books – I eventually get about £1.30 of that sale.  If I supply bookshops directly – which entails me ordering the books myself and then selling them on to the bookshop – I get about 50p per book in the end (and, in one case, I am actually subsidising a bookshop because I think it’s the right thing to do, and I lose about 20p per copy that they take…).  And if I sell an e-book – Amazon lists them for about £3.10 – I eventually get about £1.10.  I’m not eyeing up that retirement villa just yet!

And a very interesting article on this subject – where to buy your books in order to best benefit the author – has appeared on the website of the Society of Authors.  It’s a very illuminating read and, as you might imagine, flies the flag for independent bookshops and local libraries.  If you have any choice at all in how you consume your reading material, it’s well worth having a read – some of the observations will surprise you.  (Although much of it is concerned with traditionally published books – they talk of buying in bulk from distributors, which is obviously only a pipe dream for the self-published – it is still useful to have the marketplace dissected in this way.)  Click here for the article.

Sex on the brain

Tags

deadline, etymology, library, Martha Plank, Plank 5, research, Samuel Plank

I imagine you think I’ve stopped writing.  Certainly my decision to take eighteen months to write “Plank 5” – as opposed to a year each for the first four books – has taken away some of the urgency I used to feel about word counts and deadlines, but rest assured that Sam and I rarely go more than four days without spending some time together.  (For new readers of this blog, I am not the world’s laziest novelist: I actually have a full-time job, and the novels are my – somewhat overwhelming – hobby.)

Anyway, I know you like to hear about the mechanics of writing historical fiction, and recently I have been thinking and reading a lot about sex.  Well, to be more specific, about contraception, pregnancy and fertility.  I don’t want risk any spoilers, but if you have read earlier Sam books you will know that Sam and Martha are childless – and not by choice.  In “Plank 5” I look into this a bit more deeply, and this has proved quite tricky.  For instance, did Sam and Martha know what caused babies?  Of course they knew that sex had something to do with it, but did they know about sperm and eggs?  What did they think was going wrong for them?  Did they blame themselves, each other, God, fate – or did they not see it in terms of blame, but rather simple destiny?  Even today people are reluctant to discuss these very personal matters, so you can imagine that diary entries, newspaper articles and learned discussions about them from two centuries ago are, to say the least, thin on the ground.  I’m reading some pretty peculiar stuff – hope no-one’s analysing my borrowings from the rare books collection at the library…

And you know my fixation with etymology – in essence, making sure that the vocabulary I give to Sam is not too modern.  Surprisingly, it is tricky to find the words that nice people would have used to refer to pregnancy and childbirth.  As ever, there is plenty of rather coarse language, but that’s not what Sam would have recorded in his books.  “Pregnant” was in use, but (and this nearly caught me out) both “expecting” and “in the family way” are much too recent, dating only from the 1950s.  French was back in favour, so “enceinte” could be used in more refined households.  And when no-one could miss it, you were “great with child”.  But the one I had never heard – and I’m still in two minds about using – is “lumpy”.  I mean, not terribly flattering, is it?

“Portraits” is published!

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Cambridge University Library, library, Portraits of Pretence, publication date, self-publishing

Yes, yes – I know that the official publication time is 9am, but I couldn’t sleep.  It’s not quite the star-studded, champagne-fuelled launch party as seen in “Bridget Jones’s Diary”; rather, I am sitting here in my dressing gown, with the cat willing me to serve her breakfast rather than fiddling about with that screen thing.  However, I am celebrating later today by having lunch with my godmother (although she doesn’t know that’s what we’re celebrating) and by giving a copy of the book to the curator of miniatures at the Wallace Collection – one of the inspirations for “Portraits of Pretence”.  Next week I will savour the delivery of ceremonial copies of the book to the University Library and the Cambridge Central Library; as I child I lived in libraries, and always hoped that one day I would contribute to as well as borrowing from their stock.

And so, lords, ladies and gentlemen, I declare “Portraits of Pretence” officially published!

Maps and monsoons

Tags

library, map, Samuel Plank, title, word count

I know, I know – I’ve been very quiet recently.  But rest assured that I have not been neglecting Sam.  I went on holiday to Malta for a week and did take a complete break from him then; although Malta has a truly fascinating history of its own, I think it would be quite a stretch to shoe-horn Sam into it.  But when I got back it was full steam ahead, and I have three quick updates for you.

Firstly, this morning I met my “map man” who is preparing the maps for the books – “Walking the Plank” – and things are progressing well with that.  It’s quite an informal arrangement, and it feels impolite to push him for a deadline, so the current plan is to create two versions of each map: one to go into the books (from “Plank 4” onwards if we make it in time, or “Plank 5” if not), and one for download from this website.  So – eventually – there will be a map for each book, showing the key locations for the series (Sam’s house, Great Marlborough Street, Newgate, etc.) plus the specific locations for that story.

Secondly, nature took control yesterday: I went into the library to do an hour’s research for “Plank 4” and then the heavens opened.  It rained solidly for the next four hours, and I was stuck – so I ended up writing 1,256 words.  Every cloud, etc.

And thirdly, I have started thinking about titles for “Plank 4”.  As you know, I decide on a shortlist of five, and then you choose the one you like best.  I have thought of three – two of which I like a lot – and in idle moments I let my mind wander around more.  It’s always exciting to start considering the title, as it means that the end of the first draft is in sight – until that point, I have no idea what to call anything.

The kindness of strangers

Tags

library, marketing, promotion, Samuel Plank, self-publishing, writing

I know that many of you, like me, are self-published authors (or planning to self-publish) and I do like to update you on what is working and what is not when it comes to promotion and marketing.  This week I did a talk at a local library which was terrifically well-attended (35 people on a Wednesday evening); there were lots of interesting questions, and I sold an amazing twelve books – and came home with a beautiful bunch of flowers and some charming compliments about how adorable Sam is.  Equally lovely were the people who came up to me after the talk with ideas of how to promote my books.  Two suggestions I have acted on already – contacting the tutors of local creative writing courses (whose students might want to know about self-publishing and how she is done) and emailing the agent of book-mad Mariella Frostrup (to ask if MF would like a copy of one or all of Sam’s outings) – and I will let you know if anything happens.  It’s a bit demoralising when you send out emails and hear nothing back, but that’s the reality in most cases, and I just remind myself that I definitely won’t hear anything if I don’t email at all, and do my best not to take it personally – these people receive hundreds of approaches from strangers.

Tomorrow I’m going to Bristol for the day – accompanying husband who is going to a cycle show – and am wracking my brains to think of how I could squeeze some Sam-relevant learning from the day, apart from the usual looking-for-late-Regency-portraits in the museum.  But I really don’t think that “Plank 4” can take a detour to Bristol.  Sadly, these days – and particularly while in the writing phase of a book – I tend to think that a visit that doesn’t help with Sam is a wasted visit.

Both a borrower and a lender be

Tags

Fatal Forgery, library, Martha Plank, PLR, Public Lending Right, Samuel Plank, The Man in the Canary Waistcoat, Worm in the Blossom

About a year ago I wailed to you about the pain of PLR.  Public Lending Right is the scheme we have here in the UK to reward authors when their books are borrowed from libraries, to the tune of 6.66p per loan – in other words, a Good Thing.  I was very much looking forward to getting my share of the loot, but it turns out that PLR is calculated not on an actual basis but on an extrapolated basis from stats returned from a sample of libraries – and Cambridgeshire is not being sampled at the moment.  And as my books are only in Cambridgeshire libraries, I do not exist as far as PLR is concerned – boo!  I have taken the matter up with the Society of Authors, asking why PLR cannot be assessed more accurately – with all libraries now recording loans electronically, surely this is possible – and I’ll keep you posted.

However, my PLR pain (particularly in February, when Twitter is full of authors saying “Fab – just received my PLR cheque – I LOVE being an author!” and the like) does not stop me checking the local library catalogue from time to time to see how Sam is doing.  And this is what I see today:

In case it’s too small for you to read, “Fatal Forgery” and “The Man in the Canary Waistcoat” are out on loan, while “Worm in the Blossom” is on the reserve shelf waiting to be collected.  I may not get any money from these loans, but hopefully people are enjoying the stories, and might recommend them to others and perhaps even morph themselves from borrowers to buyers.  Whatever happens, Martha would be amazed to know that there are free lending libraries, and that people are using them to read about her.

Spreading the comfy word

Tags

Fatal Forgery, library, marketing, publicity, Samuel Plank, The Man in the Canary Waistcoat, Worm in the Blossom

I’m just back from giving a talk at Histon library, in a village about two miles outside Cambridge.  There weren’t many there – five visitors and the two librarians – but we had a whale of a time, talking about Sam and self-publishing.  And it seems that historical financial crime fills a niche that I had not anticipated: it is ideal for people who like a puzzle but don’t want too much graphic sex or violence.  Agatha Christie was there first, of course, but I think she did concentrate on murder, albeit of the sanitised variety.

I’d like to claim that I realised this and that’s why I write the Sam novels the way I do, but in reality it’s because I am no good at writing those graphic descriptions.  As the Plank stories are told from Sam’s perspective, it would be unconscionable to have him going into detail about his marital relations with Martha – we would all three be cringing so much that we’d just about turn inside out.  And although Sam could probably cope quite well with a bloody crime scene, I certainly couldn’t – I put my fingers in my ears, close my eyes and sing “La la la!” to myself during anything grisly on the telly.  I’m fine if someone mentions that a character has met an unfortunate end, but I don’t want details.  So when a friend emailed recently to ask whether the books would be suitable for his elderly aunt – subtext: are there any heaving buttocks or victim’s gizzards on show? – I was able to reassure him completely.  And the Histon library audience was pleased to hear it too.