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Susan Grossey

~ Author of books on financial crime and money laundering

Susan Grossey

Tag Archives: Plank 7

Like a pig in press

12 Friday Feb 2021

Posted by Susan Grossey author in Uncategorized

≈ 1 Comment

Tags

archive, Cambridge, Gregory 1, library, Metropolitan Police, newspaper, Plank 7, research, Samuel Plank

I am having just the most fun.  For some unknown reason (I guess I once showed an interest in the website) I have had an email from a newspaper archive service offering me a free three-day weekend pass to their records.  Three days of snooping around in old newspapers, especially given that I am library-starved during lockdown – yes please!  In short, you can put in any search term and time frame and the service rootles through its “20,200+ newspapers from the 1700s–2000s”.  It’s not comprehensive – sadly, there’s no sign of the “Cambridge Chronicle” that was published on Fridays in the 1820s and would have been useful for my new Cambridge-set series – but there’s certainly enough to keep me going.

I have written a long list of search terms, trying to think of anything that might be useful for “Plank 7” or the Cambridge series, while hoping that I don’t stumble across anything that contradicts something I have written in an earlier Sam book.  I have been clipping and saving like a demon, and have devised a new file-naming convention so that I can see at a glance which topic it covers (Crockford’s gambling club, Met Police, counterfeiting, university constables, etc.).  This has made me realise that the articles I had sourced before, in the good old days when I could go into a real-life archive, are named rather chaotically, so I need to go back through those and rename and reorganise them.  Don’t feel sorry for me for one single second: I’m in seventh heaven when I’m researching and organising.

I have also taken the opportunity to search for my own surname in the press; it’s unusual enough to accumulate only 393 matches between 1802 and today (and some of those are mis-readings of the words “grassy” and “grocery”).  I was hoping for something glamorous or scandalous or wealthy, but sadly the high point of the family’s achievements seems to be a W E Grossey triumphing after “close and spirited competition” to win the Church of Ireland Young Men’s Society Elocution Competition in 1891.

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The puzzle of Plank

20 Wednesday Jan 2021

Posted by Susan Grossey author in Uncategorized

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Tags

Gregory 1, Plank 7, plotting, Samuel Plank, writing

Today is a good day.  Not just because the Cheeto in Chief has finally left the White House (may he rot in Florida), but because for the first time in months – literally, months – I have felt properly “in the zone” while writing.

What I haven’t confessed to you is that last week I had a major wobble and considered reversing my decision to write “Plank 7” before embarking on my Cambridge series.  I re-read what I had written for “Gregory 1” and it’s not bad at all.  Perhaps, I reasoned, I needed a break from Sam and Martha.  Perhaps I was blocked because subconsciously I didn’t want to finish their series and say goodbye to them (although my husband has pointed out that I can always do “Young Sam and Martha” – if it’s good enough for Morse and Montalbano, it’s surely good enough for Plank).  Perhaps I needed a change of scenery, and relocating my writerly self from London to Cambridge might do the trick.  (Actually, as I’m under lockdown in Cambridge and it’s the only place I’ve seen for months, it’s rather more exciting to think about London.)  But it turns out that I was just being a bit feeble – as ever (and I can’t remember who said it) the key to writing is nothing more mysterious than applying the bottom to the chair and the hands to the keyboard/pen.

So, I am thrilled to report that Sam, Martha and I are back on track.  And this final instalment is even more of a mental workout than usual.  Not only do I have to figure out the plot (which, in true Sam style, is revealing and changing itself as we go along), but I also have to ensure that anything I write dovetails neatly with Sam’s adventures at the end of “Fatal Forgery”.  Although the majority of that book was set in 1824, you may remember that the final chapters jump ahead to September 1830 – and “Plank 7” is set in the autumn of 1829.  I didn’t know Sam very well when I was writing “Fatal Forgery”, and I am just hoping that I haven’t hamstrung him with any odd views or actions that I will now have to accommodate.  Still, it keeps the mental cogs whirring nicely.

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Taking my own medicine

13 Wednesday Jan 2021

Posted by Susan Grossey author in Uncategorized

≈ 3 Comments

Tags

fiction, Plank 7, The Solo Squid, writing

Some time ago I wrote a small non-fiction book titled “The Solo Squid: How to Run a Happy One-Person Business”.  In it I shared the “squisdom” I had acquired over twenty-five years of working alone, and to augment it I post “Squisdom for today” twice or three times a week on Twitter and Facebook.  But in recent weeks I have not been happy at all at work – for obvious reasons – and over the weekend I realised that there were two bits of my own advice that might help.

Firstly, in the book I make much of the fact that we each have our own preferred working pattern.  I am an early bird – much more creative in the morning and then fit only for admin and filing by the end of the day, while my husband is pretty much the reverse.  And yet I have persisted for months now with doing my day job, well, during the day, and then turning to my fiction writing in the evening – when my brain has turned to mush.  As an experiment this week I am turning it upside-down: I do some writing first thing and then get on with my day job.  (I appreciate that it is a luxury for me to be able to decide when I do what, but that is one of the many benefits of being a Solo Squid – you can arrange your own working timetable.)

And secondly, we all know how off-putting it can be to tackle a large project, and in “The Solo Squid” I recommend breaking things down into digestible chunks – don’t say (as I have been saying…) “I must write this book”, but rather say “I must write for thirty minutes”.  Much more realistic, much more achievable, and much more satisfying – in that you can say every day “I wrote for thirty minutes”, whereas you cannot very often say “I wrote a book”.

So I am putting both bits of my own advice into practice: I am spending the first thirty minutes of every working day on my fiction writing.  So far so good – I’ve managed three days, and already I’ve written for ninety minutes more than I managed last week.

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Looking backwards and forwards

02 Saturday Jan 2021

Posted by Susan Grossey author in Uncategorized

≈ 3 Comments

Tags

Amazon, Gregory 1, Kindle, paperback, Plank 7, plotting, promotion, sales, Samuel Plank, The Solo Squid, writing

And here we are, staring into a whole new year – there can’t be many among us who are sad to see the back of 2020…  I know that my creativity took quite a knock; much as I admire all those who managed to use the endless weeks and months of lockdown to burrow into their projects, I have to admit that constant low-level anxiety and uncertainty took up most of my brain space.  As a result, I am now confronted by two stalled books – “Gregory 1” and “Plank 7” – and I am very much hoping that 2021 will be different.

Self-pity aside, I must gird my loins and look at my sales figures for the past year.  But despite Amazon reporting target-busting sales and (apparently) people turned to reading for comfort and escape, the boom has not quite hit my own titles!  In 2020, I sold 36 paperbacks across the six titles in the Sam series, and 185 e-books.  (But before you pat me on the back for those e-books, I must confess that 153 of those were downloaded for free during a promotion I ran in March/April.  So only 32 of the e-books brought in any money.)  And my little business book – “The Solo Squid” – sold 12 paperbacks and 16 e-books.

And so to money: with an average royalty of 90p per sale, my life as an author netted me about £86.40 in royalties in 2020.  Unfortunately, I also had to pay £200 for the cover for “The Solo Squid”, plus my memberships of the Society of Authors and the Alliance of Independent Authors (neither of which I would do without), so I’m actually about £350 in the red.  But as I don’t drink (yet…), smoke, or collect diamond jewellery or expensive cars, it’s a hobby I can afford.  And once I can reclaim some of this mis-used brain space, I can get back to enjoying it.  Happy new year to one and all!

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Room for improvement

08 Sunday Nov 2020

Posted by Susan Grossey author in Uncategorized

≈ 2 Comments

Tags

organisation, Plank 7, plotting, research, word count, writing

I know that I have been a sorry disappointment to you in recent months – very little blogging, and even less writing of the latest Sam Plank book, “Plank 7”.  The latest on that is that I have written seven chapters, with a total of about 13,000 words, and I am reasonably happy with one of my plot strands.  The main obstacle to writing is that I am, against the odds, working pretty much full time – I’m certainly not complaining, when so many are struggling to make a living, but it means that at the end of the day and then the week I have very little mental energy left for imaginative writing.

To remedy that, I am currently working my way through a book called “The Organised Writer: How to Stay on Top of All Your Projects and Never Miss a Deadline”, by Antony Johnston.  When my husband saw it arrive, he was surprised, as I am famed for my organisational skills/obsession.  (Surely everyone has a “Dish of the Day” list pinned on the fridge, showing what every meal for the coming week will be, so that we can alternate meat/fish/veggie, and potato/rice/pasta, and avoid food waste.  No?  Ah, just me then.)  And it’s true – I don’t need much help with record-keeping, plotting, invoicing and the rest.  But I do need to find a way to prioritise my writing, so that I don’t end up with perfectly filed paperwork and no energy left to write a single paragraph.  I’ll let you know how it goes.

The other aspect of life as a writer that has been exercising me recently is how wonderful it is to have an alternative world to which I can escape.  When I am sick to the back teeth of hearing about the US election and about corruption in the UK government, I can leave the modern world entirely and spend a happy hour or two reading and writing about the horse trade in London in the 1820s.  I pity those who are not readers or writers and are therefore stuck in the moment.  And as I read about Sam’s contemporaries, I do wonder whether ignorance was a sort of bliss: were people happier when they weren’t bombarded constantly with information about politicians and celebrities and sportsmen?  When they knew their family and their neighbours, and only occasionally did news about a world leader filter through – it was certainly a smaller life, but perhaps it was a happier one…

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The perils of being pedantic

24 Saturday Oct 2020

Posted by Susan Grossey author in Uncategorized

≈ 4 Comments

Tags

historical fiction, Plank 7, plotting, research, Samuel Plank, writing

I have always held that writing historical fiction suits me for three reasons:

  • I’m a bit old-fashioned and rather like living in the past
  • I don’t have a terrific imagination and am happier with a skeleton of known history on which I can hang my story, and
  • I am addicted to research.

However, I do have one character trait which is both a blessing and a curse for the historical novelist: I am a paid-up, card-carrying pedant.  I can usually control my instinct to correct other people, but inside my own head, it’s picky central.  And pedantry is an extremely time-consuming activity.  Here’s today’s example.

I am trying to write a scene where Constable Sam Plank is inspecting a notebook written by a suspected criminal, in which the man uses annotations – an X, a question mark and an exclamation mark.  Just as I am writing this sentence, I hear my inner Queen of Picky: ah yes, but is that what they called those punctuation marks in the 1820s?  And it is remarkably difficult to find out.  And remarkably fascinating to try.  Two hours later I’m no further on with the scene, but I do know that:

  • “question mark” is a modern name – Sam would have known it as a “mark/point of interrogation”
  • “exclamation mark” is probably OK (although back in the 17th century it was a “note of admiration”)
  • F Scott Fitzgerald loathed exclamation marks; Emily Dickinson loved them
  • there is a small town in Canada called Saint-Louis-du-Ha! Ha!
  • printers call the exclamation mark a screamer, a gasper, a slammer or a startler.

All fascinating – but that’s two hours gone and I’ve written two sentences.

In a related story, I listened recently to an interview with Antonia Fraser, the hugely respected historian.  She quite forcefully made the declaration that she is not an historical novelist, because her books contain no fiction.  She does not say that someone walked determinedly into a room, for instance, unless the historical record shows determined walking.  Perhaps I’m not being picky enough…

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Back at last

09 Friday Oct 2020

Posted by Susan Grossey author in Uncategorized

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Cambridge University Library, Metropolitan Police, Plank 7, research, Samuel Plank

Today I visited the Cambridge University Library – my spiritual home and happy place – for the first time since (I think) March.  It wasn’t the carefree immersion of old: I had to book my visit ahead of time and specify the maximum five books that I wanted them to leave on my allocated desk.  No wandering around the open stacks, no snooping around the special collections just to wallow in knowledge, no sniffing the air in the Rare Books Room.  But still, I was sitting in the vaulted Reading Room, with ten books at my elbow.  (Five book limit – pah!  Ask for something that comes in six volumes et voilà!)

I had planned to limit my research for “Plank 7” to the new things I intend to include – Crockford’s gambling club, and London’s sanitation system, for instance.  (Now you’re intrigued… And if you’d like to know more about that sanitation stuff, do sign up for my monthly research updates, as that’s my topic for the next one.)  But my perusing of the UL catalogue turned up a couple of publications on the history of policing that I had missed before and I couldn’t resist ordering them as well.  And I will admit that I opened them with trepidation.

As regular readers will know, I am a devil for historical accuracy.  It’s unfortunate, because I am both pedantic and unskilled as a historian.  But if it’s in my power to find it out, I will do so, and I will make sure that it is reflected accurately in the Sam books.  This means that I live in fear of discovering something new that makes my earlier writing inaccurate.  I don’t mind (much…) if my earlier writing has gaps in it, as I can fill those in as I go along, working them into plots of later books.  But if something is actually wrong – shudder!  Thankfully, today was a day for illumination rather than contradiction.  And my top three favourite facts I learned are:

  • William Crockford – who owned London’s finest and most aspirational gambling club, which counted the (prudent and non-gambling) Duke of Wellington amongst its members – dressed like a poor country farmer and spoke with “rough cockney tones”
  • The wine cellar below Crockford’s was 285 feet long, and contained 300,000 bottles valued at £70,000 in total [that’s about £4.8 million in today’s money]
  • The new Metropolitan Police were given a recognisable uniform to wear partly to reassure the public that they were not government spies.

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Writing by the hour

21 Monday Sep 2020

Posted by Susan Grossey author in Uncategorized

≈ 7 Comments

Tags

Cambridge University Library, Plank 7, writing

Like so many people, I have found my creativity nose-diving during recent months – constant low-level anxiety and uncertainty, it seems, are not conducive to imaginative thought.  But this cannot go on: if I don’t pull myself together, writing-wise, I am going to miss my own deadline and (much more importantly) lose confidence in my ability to write books.  I’ll look back on my novels as an historical anomaly: look what I was once able to do, but never again.

I have tried several tacks.  I took a whole fortnight off from thinking about writing and told myself that even if I wanted to write, I wasn’t allowed to – you will recognise the reverse psychology, and it didn’t work.  I spoke to some writer friends about it, and they all agreed: these are strange times for “creatives”.  But some of them said they had given up entirely while others said they welcomed the lack of distraction from holidays and waiting out and had been wildly productive – neither of which helped.  I thought that perhaps the familiarity of the location was a problem, or the use of a computer, so I armed myself with a spiffy notebook and pen and went to sit on a park bench, hoping that the muse would come and sit with me (at a safe social distance), but it didn’t work – I watched people playing tennis and feeding ducks and eating picnics, and I daydreamed and wrote not a single word.  I can’t even fall back on my usual creativity-boosting ploy – a day in the University Library with a cheese scone at elevenses – as it’s still shut to almost everyone.

So I have gone back to basics.  I am tired of pandering to the elusive muse, and instead I will beat him/her into submission by simply turning up and staring at him/her.  I have undertaken to write for thirty minutes a day, and I have even mastered the timer on my phone so that I can measure it.  If I want to carry on for longer that’s fine, but I have to do at least thirty minutes.  It’s been three days so far, and I’ve managed it – and am even starting to feel the writing muscles loosen up a little.  I’m a very routine-y person and am good at sticking to commitments, so maybe this tactic will play to my strengths.  Fingers crossed – and now to set the timer for today’s session.

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No more blank page

01 Tuesday Sep 2020

Posted by Susan Grossey author in Uncategorized

≈ 3 Comments

Tags

Great Marlborough Street, Martha Plank, Plank 7, plotting, Samuel Plank, William Wilson, writing

After months of pandemic, a three-week holiday, a 14-day period of self-isolation and now a Bank Holiday weekend, I have finally managed to concentrate for long enough to write what may turn out to be the first scene of “Plank 7”.  No promises and all that, but I’m pleased to have at last written something.  As this comes right at the beginning, I am trying to introduce the characters: there might be readers who come to this book without having read any of the previous ones, so I have to explain who everyone is and what they do.  It’s far from perfect, I know, but it’s an almighty relief to be off the starting blocks. (Apologies for the lack of formatting: WordPress has changed its editor and I can’t work out how to do anything at all!)

July 1829

There are some men who pursue change: as soon as they master a skill or see a spectacle, they are keen to move on to the next.  And there are those of us who treasure the familiar.  It’s not that I wish to return to the past –far from it, as anyone who has escaped the fish-stinking alleys of Wapping will agree.  And I am certainly not against improving myself; I read as widely as I can, and keep my ears open when I am with men who can teach me.  But I do not seek novelty for its own sake – a steadfastness for which my wife Martha might be a little more grateful.  Sometimes, however, the world thrusts change upon all of us, and we must make our peace with it.  Next year – God willing – I shall mark my half-century.  And since I was sixteen I have been a constable.  I once told Martha that I wanted to be buried in my uniform, which she said was in poor taste.  With Mr Peel’s innovations, I may no longer have the right.

William Wilson glanced at me as we paused to cross Oxford Street.

“Are you unwell, sir?” he asked.

“Unwell?” I repeated.

“You sighed,” he explained.

“Perhaps at the prospect of being asked ridiculous questions,” I said, and immediately regretted my bad temper.  Ever since Wilson had told me that he had decided to join the Metropolitan Police at the first opportunity I had been short with him – even though I had been the one encouraging him to think to his future and throw in his lot with the new force.  As Martha had observed after seeing me snap at the poor lad, just because the head wants something, it does not mean that the heart has to like it.

There was a small gap between the carts heading eastwards and we stepped into the road.  There was less traffic going west but we still had to wait for a neat little carriage to bowl past us, the coachman calling out a halloo of warning.  The shade cast by the shuttered theatre in Blenheim Street came as a relief; although it was not yet nine o’clock, the day was warm.

“Forgive me,” I said.  “I am out of sorts.  The heat does not agree with me – I have not been sleeping.”  Wilson said nothing but nodded tightly.  He would be quiet for perhaps ten minutes, I knew, but there has never been anyone less capable of bearing a grudge or staying angry.  “And how is young master George sleeping these days?” I asked.

Wilson’s face broke into a smile as he thought of his baby son.  “We’ve given up on clothes,” he said.  “When he’s asleep, he looks like one of those fat little angels you see in church.”

“Cherubs,” I said as we climbed the steps of the Great Marlborough Street police office.

“Less angelic when he’s awake,” continued Wilson.  “His favourite game now is giving and taking, which he can play for hours – handing something back and forth.  Me, I’m not so keen on it – everything he gives you comes with a generous coating of spit.”

“Talking about one of our visitors, are you, sir?” asked Tom Neale.  Our office-keeper was making an annotation in his ledger; I’ll wager that the records kept at the Old Bailey are less thorough than those in that ledger.

“Constable Wilson was regaling me with the perils of fatherhood,” I said.

“And how is Mrs Wilson’s latest project coming along?” asked Tom.  “Is she still troubled by the vomiting?  I remember Mrs Neale suffering terribly.”

“My mother tells me it should reduce,” confided Wilson, “now that we are past the early months.”

Tom nodded sagely.

“When you have quite finished with your discussions, gentlemen,” I said, leaning over the counter and tapping a forefinger on the ledger, “I wonder whether there is some work to be done.”

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Excuses, excuses!

21 Friday Aug 2020

Posted by Susan Grossey author in Uncategorized

≈ 2 Comments

Tags

library, marketing, Martha Plank, Plank 7, plotting, research

Goodness, how long has it been – nearly two months since my last post!
 Along with almost everyone else, I have found it hard to concentrate in
these worrying times – and that’s unusual for me, as I normally have
phenomenally selfish powers of concentration and the ability to shut out all
external distraction. Awash with well-meaning advice about “being kind to
yourself” and “seeing each small step as an achievement”, I have been spending my recent writing time not on the writing itself, but on writing-related issues, such as research and marketing.  And neither of those has gone particularly well either, so you can see why I have been rather quiet with these updates!

People will tell you that going to the library in person is outmoded and
unnecessary, but they are wrong.  Granted, many library “resources” have
now been digitised – it’s a godsend, for instance, to be able to search online
newspaper archives.  But digitisation projects focus – quite rightly – on
items for which there is more demand, and despite my personal obsession, I have to admit that beat records from London’s early police stations (a current interest of mine) are not a high priority for many people.  And although digitisation conveys the content of a piece very well, it cannot carry with it the other aspects: the weight of a book, or its smell, or the quality of the paper that was chosen.  When I go into the Munby Rare Books Room in the university library here in Cambridge to examine a book that might have been in Conant’s personal library, for instance, I want to know whether he would have struggled to lift it down from the shelf or lay it flat on his table – none of this is apparent from a screenshot.  But most important of all, I miss the librarians – those experts who know their stock and how to find it and what bits might be useful but not immediately apparent from the catalogue.

As for marketing, I have been doing a lot of theory: I’ve been taking online
courses (David Gaughran’s “Starting From Zero” is lengthy and detailed but
completely free and seems packed with useful stuff) and reading books and
articles and blogs.  But I have decided that I need to take this marketing
malarkey more seriously, with a more professional approach, and so I am not going to do what I have done in the past and just try a bit of this and a
smidge of that and hope for the best.  Rather, I am going to put together
a proper plan of attack and be much more logical and cold-blooded about my marketing – but not this year.  That’s a big project for next summer, when I will be approaching the publication of “Plank 7” – and one thing David has taught me is that the most potent marketing tool you can have is the launch of a new book.

The other key message from David is that the mailing list is the lynchpin of
everything – and mine is pretty rubbish.  I have tried to get more
subscribers: this month I am running a competition to win a magnifying bookmark – and even with badgering all my friends on Facebook and Twitter to encourage their pals to sign up, I have managed to increase the list by… one person.  But I am nothing daunted: David has written a whole book on how to get mailing list sign-ups and it’s the next one I’m going to read.

But to end on a positive note, you will be glad to hear that during our
three-week holiday in Switzerland (for which I am now paying the price: 14
days’ self-isolation after travelling home through France…) I did manage to
thrash out the plot of “Plank 7”.  It’s a bit tricky, this one, as I have
to ensure that it completes the circle, linking up with the end of “Fatal
Forgery”, as well as requiring some significant research into the advent of the Metropolitan Police.  (For those of you despairing about how slowly
government moves these days: the law approving the creation of the Met was passed on 19 July 1829, and the first men went out on their beats on the
evening of 30 September 1829 – that’s two months and eleven days later!)
 And for those of you who have asked for (demanded…) it, yes, there is
more Martha.

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