Digesting download data

I know you’ve all been on tenterhooks to hear the latest about permafree Sam and his progress.  As you may remember, I paid for a 24-hour Freebooksy promo slot, and during that 24-hour period there were 1,232 downloads of “Fatal Forgery”.  I think we can attribute all of those to the Freebooksy promo.

Flushed with success, I also applied for a free promo slot on the Best Book Monkey website, and that’s currently live.  It started on 9 July, and I think it just sits there until they feel that interest has waned.  You can see the Best Book Monkey listing here.

And – going a bit mad now – I also submitted “Fatal Forgery” for a five-day promo slot on the Bookangel website, and that’s now running until 14 July.  You can see the Bookangel listing here (a bit peculiar that all the punctuation in the description has been replaced with question marks, but hey ho – it’s a free promo).

So what’s the result of all this mad promotion?  Let’s ignore the 1,232 that we’ve already attributed to the Freebooksy day.  Since then, there have been 429 downloads.  Some of those will be Freebooksiers late to the party – because although the promo has ended, “Fatal Forgery” is permafree so anyone who finds their way to Amazon or Kobo or Nook or Google Play can still download it for nothing.

What I hope, of course, is that there will be more reviews, and more paid purchases of the next books in the series.  Since I started this frenzy of promotion, I have accrued six more “ratings” on the Amazon listing for “Fatal Forgery” – not full reviews, but 4- and 5-star ratings.  And sales of the other titles have increased – covering the promo periods on Freebooksy, Best Book Monkey and Bookangel, I have sold (mainly e-books, but a few of them paperbacks):

• The Man in the Canary Waistcoat – 8
• Worm in the Blossom – 7
• Portraits of Pretence – 7
• Faith, Hope and Trickery – 7
• Heir Apparent – 8
• Notes of Change – 17

And as for rankings on Amazon, well, “Fatal Forgery” is currently sitting at #83 in the Historical Fiction category on the Kindle store, and #156 in the much larger Crime Fiction category, which is not bad at all.

In short, I think it’s going well.  My focus is on getting more people hearing about and curious about the series, and I think this is happening.  If only 1% of the people who downloaded the free “Fatal Forgery” actually read it, that’s still sixteen new readers – and here’s hoping that it’s much more than 1%.

Everybody’s free (to feel good)

Now that I have completed the Sam Plank series, and now that I have stopped the day job and am reconfiguring how I spend my time, I decided that I needed to do something significant to mark these events and to signal my intent to be a more professional author.  I considered a tattoo (no, not really) and commissioning my likeness in dark chocolate (yes, really), but in the end I have plumped for this: a permafree series opener.

For those of you (I hope all of you – it’s a horrid word) shuddering at the term “permafree”, I should explain that it means free forever.  In other words, I am making the e-book of “Fatal Forgery” free forever on all the sales platforms I can find.  My reasons are these:

• Several successful indie authors of series have already done it and highly recommend it
• A free book entices readers to take a punt on an unknown author – and once they’ve had a taste of Sam and Martha and the gang, I’m sure they won’t be able to resist buying the next six books in the series, for themselves and all their friends and every member of their extended family
• It’s scary and exciting – and at my stage in life, something scary and exciting is good.

Of course, it’s not that simple to make something permafree, unless you do it right from the start.  All of the Sam e-books were enrolled (there, you see: I’m putting it in the passive to deny responsibility, but it’s entirely my fault) in the KDP Select programme.  This means that they can only be sold on Amazon, and in exchange for this exclusivity I get a higher royalty rate (70% as opposed to 35% for e-books that are published “wide” – i.e. other places as well as Amazon).  And Amazon does not – for obvious reasons – allow you to price a book at free.  So I needed to get the books off KDP Select, and there is a three-month notice period.  That expired last week, and I had a giddy couple of days publishing the e-books to other platforms such as Google Play, Kobo and Barnes & Noble (formerly Nook).  They do allow you to price books at free, which I did for “Fatal Forgery”.  And once you have a book priced at free on a couple of reputable competitor sites, you can request Amazon to price match to zero on their site – which they have done (it’s not a given, and there’s no guarantee they’ll keep the price at zero, but we can try).  It’s as simple as that…

I have plans for world domination with permafree Forgery, and – again on the recommendation of much more successful indie authors – I have booked a series promo on Freebooksy.  This site promotes free books to its “over 150,000 voracious readers”, and with a series promo they highlight the free opener and show the rest of the series.  That’s booked in for 30 June, at a cost of US$95 – about £78.  Given that I get about £1.40 royalty per e-book sold (nothing for “Fatal Forgery”, of course – I mean the other six), I have to hope that the promo will result in at least fifty-six additional sales.  The true value of a series promo, I am told, is its “long tail” of sales, which will be hard to monitor, but I feel excited that I am trying something new.

And here’s something interesting…  Since “Fatal Forgery” went permafree a couple of days ago, I have told my friends on Facebook, and Sam’s audience of 23 on Facebook, and his 17 followers on Twitter.  (I know, I know: I really need to get a grip on his social media presence – or, more truthfully, his absence).  So not many people have been told.  And yet the word is out somehow: since yesterday, there have been 322 downloads of “Fatal Forgery”, pushing it to sales rank 54 in the historical fiction e-books category on Amazon.  And sales rank really matters on Amazon: if you rank high, they jump in with their own promotion and then, well, watch out Tanya Anne Crosby (current holder of position one in the historical fiction e-books category)!

Jam doughnuts all round!

In life it is important to celebrate achievements, and today I have had a jam doughnut for elevenses because I have completed my draft of “The Notes of Change”.  [As an aside, am I the only person who eats a jam doughnut by spearing it onto a fork and then eating it like a toffee apple?  So much tidier than the doughnut-in-fingers method.]  I realise that there will be more work to do, but for today – I’m happy.  I have sent the file to my lovely beta reader Roy, to check for plot madnesses and general readability and likeability, and at the same time my husband will be close-reading it for spelling mistakes, poor punctuation, extra spaces and all the other typos that return to haunt us.

Meanwhile, I have been contacting the people who have kindly reviewed other Sam Plank novels, to ask whether they would like to take this one on as well.  Other more organised authors would have blog tours and the like lined up, but I’ve just not managed that this time round.  However, I have decided not to chastise myself too much for these promotional shortcomings – after all, I’ve written a whole book!  By myself!  And this “being an author” thing is meant to be fun.

That said, I do have plans.  On the advice of several people, I am planning to get to grips – or at least within gripping distance of – Amazon ads: I have bought a couple of books on the subject (of course I have – when faced with any new endeavour, I will always buy a book) and will read them while I wait for comments on my draft.  My other task in that hiatus is to apply to join the Crime Writers’ Association – it’s quite the application process, and acceptance is far from guaranteed, but as they have just opened their well-respected and much-coveted “Daggers” awards to self-published novels, I now have a real incentive to try.  And just think: if they do accept me, it will be the perfect excuse for another doughnut!

Looking backwards and forwards

And here we are, staring into a whole new year – there can’t be many among us who are sad to see the back of 2020…  I know that my creativity took quite a knock; much as I admire all those who managed to use the endless weeks and months of lockdown to burrow into their projects, I have to admit that constant low-level anxiety and uncertainty took up most of my brain space.  As a result, I am now confronted by two stalled books – “Gregory 1” and “Plank 7” – and I am very much hoping that 2021 will be different.

Self-pity aside, I must gird my loins and look at my sales figures for the past year.  But despite Amazon reporting target-busting sales and (apparently) people turned to reading for comfort and escape, the boom has not quite hit my own titles!  In 2020, I sold 36 paperbacks across the six titles in the Sam series, and 185 e-books.  (But before you pat me on the back for those e-books, I must confess that 153 of those were downloaded for free during a promotion I ran in March/April.  So only 32 of the e-books brought in any money.)  And my little business book – “The Solo Squid” – sold 12 paperbacks and 16 e-books.

And so to money: with an average royalty of 90p per sale, my life as an author netted me about £86.40 in royalties in 2020.  Unfortunately, I also had to pay £200 for the cover for “The Solo Squid”, plus my memberships of the Society of Authors and the Alliance of Independent Authors (neither of which I would do without), so I’m actually about £350 in the red.  But as I don’t drink (yet…), smoke, or collect diamond jewellery or expensive cars, it’s a hobby I can afford.  And once I can reclaim some of this mis-used brain space, I can get back to enjoying it.  Happy new year to one and all!

Getting my priorities straight

I find myself in limbo.  I have a full-time job (although I do work for myself and therefore have more flexibility in my working pattern than do traditional employees) and my main hobby during my free time is writing historical fiction.  But writing is no longer the solitary and focussed activity it once was.  The advent of self-publishing (which is gradually renaming itself “independent publishing” – I suppose to remove the suggestion of vanity and self-indulgence) means that those of us who fail to find an agent and traditional publisher can still publish our books, but this leads inevitably to a vary crowded marketplace.  Even taking as a tiny and unscientific sample the “indie authors” whom I “know” through my own membership of the Society of Authors and the Alliance of Independent Authors, hundreds of books a day are being published.  It’s marvellous, in that there is going to be the perfect book for every reader, but as an author, how do we elbow our way to the front and shout, “Here it is, your perfect book – it’s the one I’ve written!”?

And this is really the nub of my post today: how can the hobbyist author – as opposed to the full-time professional – find time to do what is necessary to stay afloat and visible in the publishing world?  Before you get out your notepad, I should confess that I don’t have the answer – or at least, nothing more revolutionary than “you just have to find the time – as with most human endeavour, effort in will lead to results out”.  For myself, I concentrate on my monthly Sam Plank update distributed via Mailchimp to my mailing list of (I’ve just checked) 43 subscribers.  It works for me because (a) I’m doing the research anyway and it’s fun to distil some of it into an update, and (b) all the received wisdom about book marketing says that a mailing list of loyal readers is more important than anything.  But I know I’m dabbling in an amateur fashion, and when I see what full-time authors can do – probably ably supported by publicists and publishers – I am green with envy and mournful with inadequacy.

In my darker, more envious moments I remind myself of two things.  One: when I retire from full-time work (hah!) I will be able to do all this publishing and promotion properly.  And two: if I have an hour or two to devote to the author side of my life, I should spend it on writing and not on worrying about publicity and marketing.  After all, I could have the slickest sales campaign in the world, glitzy enough to make John Grisham weep into his inkwell, and it would be worth nothing without having the words between the covers, ready to sell.  So that’s my moan for today, and I’m off to write a scene where poor Wilson has to tell a mother that her son has died.  Cheery.

The advertising game

It’s been a weekend of two halves, with regard to my writing.  On one hand, I have made a tiny bit of progress with “Gregory 1” – the first Gregory Hardiman book, set in Cambridge.  I have learned a lot about coroner’s inquests, and I have decided on a couple of confidants for Gregory – yes, a coroner, and perhaps a surgeon as well.  I found John Conant – a magistrate – an invaluable part of the Sam series, as the two men were able to discuss their work, and I feel I need someone in a similarly educated position for Gregory.  (I have also discovered that he doesn’t like being called Greg; Samuel Plank was perfectly easy with being called Sam, but Gregory insists on the full Gregory.  I wonder why…)

And on the other hand, I have been running an experimental Facebook ad for the past five days.  I have a dedicated Facebook page for my non-fiction business book “The Solo Squid: How to Run a Happy One-Person Business”, and for weeks now they have been tempting me with a £5 “credit” to try an ad to promote the page.  And in a moment of weakness – OK, a moment when I should have been writing but convinced myself that doing something commercial to promote a book was actually just as good as writing [spoiler alert: it isn’t] – I went for it.  I signed up to spend up to £1 a day for five days promoting the squid page to potential buyers of the book, with an ad to entice them to click on a link taking them to the Amazon page for the book.  I will admit that I didn’t put a great deal of thought into the ad or its settings, simply accepting the Facebook defaults for most of it, on the basis that as this was my first ad, they would do their best for me in order to suck me in for future campaigns.  I did limit the ad a little, by asking for it to be shown to both genders in the age range 25 to 58 [I figure that the very young aren’t setting up their own businesses quite yet, and those at the end of their working lives aren’t looking for guidance], in the US and the UK [prime English-speaking nations] and with a declared interest in entrepreneurship.  This netted me a potential target audience numbering 11,000,000, which Facebook assured me was ideal.  And off we went.

Five days later, Facebook informs me that my ad run has finished.  Over the five days it was seen by 1,399 people, eleven of whom clicked the link.  That cost me £4.80 of my £5 credit – or just under 44p per click.  Looking at the Amazon sales figures, I see that in the same period (10 to 14 June 2020) I sold no copies of “The Solo Squid”.  I’ll keep an eye on the sales in the next few days in case one of the eleven clicks put the book in their basket for later purchase, but based on this small and most unscientific experiment, I can safely say that I will not be investing the Grossey fortune in Facebook ads.  Back to the writing board.

My flexible festival

It’s raining cats and dogs and we’re still under lock-down (at least here in the UK), which gives me the perfect excuse to stay indoors all day and “attend” not one but two virtual book festivals.  I wasn’t sure to begin with but now I’m a real convert: I don’t have to pay for travel or accommodation, and I can still see everyone even if I can’t meet them in person (plus I get to nose around their backgrounds and bookshelves).  Moreover, with Zoom and the like, we audience members can ask questions via the chat facility, which is actually a fairer system: you don’t have to wave your arm madly to catch the moderator’s eye – we’re all equally visible to the chat bar.

So far today I have heard talks by Elizabeth Buchan, Debbie Young, A A Abbott, Orna Ross, Joanna Penn, Jo Ullah and Kate Mosse, and I still have four more sessions to look forward to – what bounty!  I have been scribbling notes like a demon, recording a mixture of inspiration (Elizabeth Buchan: be patient – allow the batteries to recharge and the ideas to percolate), writing skills (Kate Mosse: create a strong historical scaffolding for your characters and let them loose within it to choose their own story) and practicalities (Orna Ross: every author needs a premium product – it is very hard to make a living just from books and Joanna Penn: look at your books’ reviews to find the right language to use in your promotional material and ads).  I’m fizzing, I tell you.  And the one concrete thing I have done between sessions is to create anew the @ConstablePlank twitter handle that I had abandoned.  It’s not quite the right handle, now that Gregory Hardiman is making himself known, but it will do for now – and at least I can follow other inspirational people and get these posts promoted a little more widely.

And to complete the festival experience, I grabbed a quick pizza for lunch between sessions and pretended there was a queue for the loo.

A plea from the Squid

Right, everyone, I need your help.  Back in January I published a little non-fiction book called “The Solo Squid: How to Run a Happy One-Person Business”.  It’s based on my own quarter-century of doing just that, and focuses on how to enjoy working alone.  It’s not a “how to set up a business” guide, nor a “grow your business and take over The World” manifesto: it’s simply full of advice on how to work alone and be happy doing so.  But sales have stalled, as have reviews – the two are, of course, connected.

In my view, this should be a prime time for “The Solo Squid”: many more people are working from home for the first time, spending a good deal of working hours alone, and some of them will decide that they prefer it to being in an office and will stay solo once the pandemic is over.  I am trying to reach these people, with news about the book and also with hints and tips on working alone via the book’s Facebook page – I call it Squisdom (forgive me).  But it’s really hard to get to the right audience.

With my Sam Plank books, I know I’m looking for people who are interested in financial crime, or police history, or Regency stories – and they gather in various groups that I can find.  But “people who might want to work in a one-person business” is not an actual category.  There are entrepreneurs – but most of them want to turn their back-bedroom business into a gazillion pound empire.  There are small business owners – but many of them are looking for specific advice on tax matters or employment legislation.

So can I please ask for your help?  If you know anyone – in any type of activity, be it a hairdresser or a poet or a financial adviser or a tutor or a gardener or whatever – who works alone or is thinking of doing so, please could you point them first to the Squid’s Facebook page (so that they get the idea of what the Solo Squid is all about – you can follow the page so that you get a notification each time I post, which is about two or three times a week) and then to the book’s page on Amazon?  (The book is also available in high street bookshops – including via their online sales channels.) And if you have already read the book, please could you leave a little review on Amazon – without enough reviews, it languishes at the bottom of the business book pages. (You don’t have to buy a book on Amazon to be able to leave a review there.)

Many, many thanks to you all from the Squid and me!

New fans for Sam?

Well that was fun!  I was trying to think of anything I could do to make people feel a bit better and my husband suggesting offering a free book, and the first Sam book – “Fatal Forgery” – seemed the obvious choice.  I now realise that lots of authors are doing this, and it’s wonderful – I’ve snagged a couple myself.  (The more escapist, feel-good and light-hearted the better – I’m certainly in no mood for dark or dismal disaster.)

When I explored KDP to find out how to do this, it turns out that as my Sam e-books are listed with KDP Select – which means that they are sold exclusively through Amazon (and the exclusivity brings me a higher royalty rate from Amazon) – I can take advantage of a couple of promotional schemes that they offer.  And one of these is the chance to offer my book for free, for five days out of every ninety days.  (Obviously Amazon does not want people offering their books for free all the time, otherwise they make no commission on the sales…)  And I decided to take all five days in one hit, rather than spreading them out (which you can do).  I did consider doing a day here and a day there, but I thought that with the time difference (days are according to US time zones, not European) I would confuse myself and everyone else about when the day started and finished, and by the time I got the word out it might all have ended – so I went for simplicity.  I publicised the offer on this blog, on my personal and author Facebook pages, and via an e-newsletter that I send out as part of my day job (to people who are tackling financial crime every day, so I thought some of them might like to read about historical financial crime instead).  The one thing I forgot to do was to ask people to leave reviews, but here’s hoping that some of them do it anyway.

So how popular was my offer?  Here’s the breakdown:

• Day one: 31 copies downloaded
• Day two: 55 copies
• Day three: 36 copies
• Day four: 8 copies
• Day five: 10 copies

So that’s a grand total of 140 copies.  Turning to my spreadsheet of “Fatal Forgery” sales, I can see that since it was published in July 2013 – and discounting this recent free promotion and another free promotion I did in January 2019 – I have actually sold 348 e-books.  I’m not sure what that tells us, except that people like free books!  (And that day two of the offer is the big one – by then, the word’s out.  But by day four, everyone who wants it has downloaded it, and I don’t think the word is spreading any further.  So perhaps – for commercial purposes – two widely-spaced two-day promotion periods would work better.)

During the promotion I did look every day at the Amazon list of 100 free best-selling e-books, always hoping that “Fatal Forgery” would appear, but it did not.  Nonetheless, I have had some lovely emails from people saying that they are already enjoying the book, and it’s a small thing that I can do.

Sam and the cephalopods

Is there any better way to spend an evening than locked in a closed bookshop and talking to avid crime readers about the Sam books?  Short of having Daniel Auteuil and Luca Zingaretti as waiters, handing out cherries coated in dark chocolate (the cherries, not the actors – although…), I can’t think of how to improve the experience.  And so you can imagine how thrilled I was to be invited to read at the Heffers annual “Murder Under the Mistletoe” festive crime fiction event.  “Heir Apparent” was even in the window of the shop:

It wasn’t just me, of course: I was one of ten authors featured, and we each read a three-minute extract from our latest book and then gave our recommendation for a good book to read at Christmas.  I chose a passage from “Heir Apparent” that doesn’t talk about the crimes at the heart of the plot – inheritance fraud and identity theft – but rather examines the relationship between Sam and Martha, and that between Sam and John Wontner.  I think it was well-received – at least, people laughed in the right places.  Not many of the other readings had much humour, and one is still giving me nightmares.  And for my Christmas recommendation I chose “The Prayer of Owen Meany” by John Irving – he’s one of my very favourite authors, and the description of the nativity play in “Owen Meany” is one of the very funniest things I have ever read.  As Victoria Wood would have said, it made me snort chips up me nose.

In other writerly news, I am working hard on the text of “The Solo Squid” – my non-fiction handbook on how to run a happy one-person business – and am moving onto the exciting stage of thinking about the cover.  I’ve done my research into the differences between an octopus and a squid (both have eight arms, but the former has a round head while the latter has a triangular head with two fins as well as two long tentacles and a backbone) and have told the marvellous team at Design for Writers my ideas of how the cover might look (with reference to similar business-y books on Amazon whose covers I like or dislike).  From this unpromising sow’s ear, they will create their usual silk purse.  He’s no Sam, but I hope the squid will gather his own fans – perhaps I should give him a name…  Only squidding!